Greetings and Welcome to Babystrollerhub.com!
I’m Sadie Sullivan — proud mother of 2 sets of twins — two boys, and a girl and a boy — plus a newborn baby girl. I love being a mom, and after having five kids, I have some experience with baby strollers. Not to mention that I’ve watched baby strollers change dramatically since giving birth to my first set of twins. I figured that I should share all that I’ve learned and maybe I can help some new moms benefit from my experience. So, I gathered a team of professional moms to help me post reviews and articles to educate you on the best baby strollers and a few other baby needs.
We’re committed to helping you find baby strollers that are lightweight and easy to handle, for those days when you need to get that stroller in and out of the car quickly. We also provide reviews on more durable jogging and off-road strollers. No matter which type of baby stroller we’re reviewing, we pick the best strollers which will also protect your babies from the elements, such as pollution, sunlight, and pollen. We’ve reviewed each baby stroller to guarantee maximum comfort and safety for your baby, too.
Check-in with Babystrollerhub.com to get reviews on double and multiple seated strollers — which are a lifesaver when you have more than one baby! Jogging strollers are great if you prefer to take your baby with you during your morning run, and umbrella strollers are a perfect choice to have when you plan to take your baby along when it’s sunny outside.
Our mission is to provide you with all the information you need to pick the right stroller for you and your baby. Truthfully, you probably need more than one. We review popular brands such as BOB, Britax USA, Baby Jogger, Baby Trend, Mountain Buggy, UPPAbaby, Maclaren, and Joovy. We’ve also looked at baby strollers from Peg Perego and Schwinn that feature quality materials.
Of course, we’d love to hear from you, and always welcome your questions and suggestions. Please feel free to comment on one of our reviews or send a private message to our team. Contact us anytime!
Take care of those babies!
TRAINED IN THE ATELIERS OF PARIS
The museum where I’m interning this summer currently has a special exhibit about William-Adolphe Bouguereau, a 19th century French painter who was immensely popular in his own time, fell out of favor, and recently has been semi-revived in interest among art historians. Personally, although his work isn’t exactly the ‘deepest’ stuff I’ve ever seen by far, I think his work is just BEAUTIFUL. Your russian tutor on the https://onlinetutorforme.com/russian-tutor/ choose online russian tutor. I’m giving two gallery talks about Bouguereau (pronounced BOH-gheh-roh), and wanted to type up what I’ll likely be saying for my first one, this upcoming Friday the 20th. This will end up being longer than the tour I’m giving, and also longer than the usual size of this blog’s posts, but hopefully you’ll enjoy it anyway. I’d love to hear your thoughts on it!
TRAINED IN THE ATELIERS OF PARIS
William-Adolphe Bouguereau was considered the best painter in the world during his lifetime, but he also “considered teaching his sacred duty.” In fact, he taught at multiple places during his lifetime, both in his own private atelier (artist’s studio) and in the ateliers of the Ecole des Beaux-Arts and the Académie Julian. He didn’t charge his students a high price for their tutelage; instead, they seemed to have worked off their debt to him by working as his assistants on his monumentous Salon paintings.
The Ecole des Beaux-Arts was THE art school in Paris — if you wanted to be a successful artist, you attended the Ecole. There were entrance exams, conducted only in French, which was discouraging to the many foreign students who came to Paris to try their luck at the life of an artist. The school, however, was worth the work: it offered great benefits, what with its fantastic reputation and reputable professors. The Ecole held a famous contest every year called the Prix de Rome, for which the winner received a scholarship trip to study in-the-flesh the works of the great masters in Italy. (As you may have guessed, Bouguereau won the Prix de Rome when he attended the Ecole.)
Because of the tricky French entrance exams, many American students in particular went to the Académie Julian instead, where one only had to pay a fee to be accepted. You might think this would imply that the Académie was not as good as the Ecole, but in fact, the schools’ reputations were both extremely high. The Académie was known to be revolutionary, even, because it accepted both men and women, whereas the more conservative Ecole did not.
The ultimate goal for any student, no matter their school or specific atelier, who wanted to become successful was to get their work accepted into the Salon. This was an annual exhibition of artwork screened by a committee that was, well, slightly corrupt. They chose pieces based on bourgeois taste–which tended, at the time, towards the idealized and the classical–and upon the submitting artists’ own connections.
As a result, it was extremely important to have a good mentor in the art world, usually the master of the atelier you attended. Not only did your mentor teach you the fundamental techniques of drafting and painting, but he also ideally had good connections to the Salon higher-ups, and could then put in a good word for you come selection time. Bouguereau was a particularly desirable teacher because he had incredibly good Salon connections and a fantastic reputation. Moreover, the relationship worked both ways — Bouguereau’s reputation helped his students, but the fact that the students’ atelier and master were printed on Salon wall labels publicized Bouguereau’s atelier and status, too.